"Illustration: The Unflinching Eye" exhibit at Ireland's Great Hunger Museum. November 8:: 2012. Photographer Mark Stanczak. Copyright Quinnipiac University 2012. All rights reserved.

Exhibitions

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Featured Exhibition

Featured Exhibition


Sketching a Famine: Chittaprosad and India

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A self-taught artist, poet, storyteller, and an active member of the Communist Party of India, Chittaprosad drew inspiration for his art from village sculptors, artisans as well as puppeteers. In 1943-44, he experienced the Bengal famine first-hand, resulting in his brutally honest depiction of human suffering in stark drawings and sketches made in pen and ink. These drawings and reports were published in People’s War, and culminated in Hungry Bengal, an eyewitness report comprising of written text and profuse sketches in stark black-and-white, copies of which were seized and destroyed by the British.

Powerful and emotive, his art of caricature emerged as a statement in favor of the oppressed masses and as a denunciation of the ruling class. As a self-conscious, reflective testimony, the drawings and caricatures of this period were a forceful outcry against the tyranny of domination and an indictment of prevailing conditions. Underlying the biting humor was a compassionate humanism and his images were essentially an appeal on behalf of the laboring poor and the marginalized.

Our Permanent Collection

Our Permanent Collection

Ireland’s Great Hunger Museum is home to an expanding collection of original art dating from the 19th century through the present day. Works by noted contemporary Irish and Irish-American artists are featured, as well as a number of important earlier works. The museum offers a unique opportunity for people of all ages and backgrounds to begin to explore the hitherto largely unrepresented, unspoken and unresolved causes and consequences of this tragedy, as well as to appreciate the art that continues to be inspired by it.

Various pieces on display inside Ireland's Great Hunger Museum

Our collection

Various pieces on display inside Ireland's Great Hunger Museum at Quinnipiac University.

A painting entitled "Lady of the West" by Grace Henry

Lady of the West

Grace Henry

A painting entitled "Irish Peasant Children" by Daniel Macdonald

Irish Peasant Children

Daniel Macdonald

“Other famines followed, as other famines had gone before, but it is the terrible years of the Great Hunger which are remembered, and only just beginning to be forgiven.”
Cecil Woodham-Smith
Author, "The Great Hunger," 1962

Past Exhibition

Past Exhibition


In the Lion’s Den: Daniel Macdonald, Ireland and Empire: January 20 – April 17, 2016

Much is known internationally of Irish artists James Barry, the Neoclassicist, Daniel Maclise, the arch Victorian, and the Expressionist Jack B. Yeats, but many other significant artists have slipped into obscurity — Daniel Macdonald (1820–53) more than most. Macdonald was one of the most talented, audacious and experimental artists of his time.

Daniel Macdonald holds the distinction of having painted the only known painting of the Great Famine, An Irish Peasant Family Discovering the Blight of Their Store, exhibited in London in 1847, now in the National Folklore Collection, University College Dublin. The death of one million people, the emigration of another million, and the subsequent depletion of the population of Ireland by one half made the Famine the single worst demographic catastrophe of the 19th century — one that was largely avoidable.

A painting entitled "The Fighter" by Daniel Macdonald

The Fighter

Daniel Macdonald

In the Lion’s Den was an important landmark in Irish and Irish-American cultural and social history, and was the first exhibition of its kind. The exhibition was curated by Niamh O’Sullivan.

The exhibition was funded in part by a grant from Connecticut Humanities and event sponsorship from The Community Foundation for Greater New Haven.

Macdonald Publication

"In the Lion’s Den: Daniel Macdonald, Ireland and Empire" by Niamh O'Sullivan is available to purchase at the museum and online. The book is the first critical biography of Daniel Macdonald and examines his life and work in the context of the social, political and cultural flux, before and during the Great Famine, in Cork and London.

Selected Press

Art New England, April 2016
“In the Lion’s Den: Daniel Macdonald, Ireland and Empire”

The Irish Times, April 2016
“In the Lion’s Den: Daniel Macdonald, Ireland and Empire, by Niamh O’Sullivan Review"

The New York Times, February 2016
“The Artist Who Dared to Paint Ireland’s Great Famine”

Hartford Courant, February 2016
“Hunger, Past and Present, Topic of Bridgeport, Hamden Exhibits”

The Irish Times, February 2016
“Book on Famine Painter Daniel Macdonald Launched in Dublin”

Irish Central, January 2016
“The Only Known Painting of The Great Hunger to Come to US” 

Republican-American, January 2016
“Irish Hunger Artist: Works by Macdonald Highlight a Dark Time”

Republican-American, December 2015
“Irish Hunger Museum Celebrates Noted Artist”

Irish Examiner, April 2015
“Cork Artist Daniel Macdonald’s Hunger for Truth”